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Today, we're discussing the important relationship between habitat—where we live—and our habits—how we interact with those spaces. Let's start with the instances of Cretto and Gibellina Nuova. Why do you think these sites, marked by silence, hold significant emotional meaning?
I think silence can reflect loss or history. It's like they're museums of memory.
Exactly! They serve as reminders of a past community life. Now, can anyone explain how this silence may affect someone's emotional attachment to the place?
If the place feels empty, it can create a sense of nostalgia but also sadness for what once was.
Well put! This ties into the concept of 'perceived space,' which is our emotional connection to a location. Remember 'SPACE' - Silence, Perception, Attachment, Community, and Emotion. That’s an acronym to recall key aspects.
Next, let’s discuss displacement. When people are forced to leave their homes, what challenges do they face in adapting to new habitats?
They might not just struggle with physical space but also with the rules and norms of the new place.
Yeah, like how they have to learn to live in temporary shelters like those prefab elements from IKEA.
Great points! It often takes time and effort to adjust to these new living conditions and social practices. This is echoed in Kim Dovey’s reflections about 'second birth.' Why do you think it’s called that?
Because they are almost starting fresh in a completely different environment?
Exactly! It's a rebirth into a different social context. They must adapt and create new habits. Always remember the '3 As': Adapt, Adopt, and Adjust.
Now, let's talk about the intricacies of home versus homelessness. Why do you think homelessness cannot simply be defined by the absence of a physical structure?
I guess it’s also about emotional and social connections to a place.
Right! It's about how people feel secure or recognized in a community.
Precisely! 'Home' means more than just a roof over one’s head; it’s about belonging and identity. Can anyone relate this to societal structures after a disaster?
Sometimes, the systems set up by relief organizations don't respect local cultures, which can make recovery harder for people.
That's a critical observation! The dynamics between donor and recipient, 'haves' and 'have-nots,' add complexity to recovery and rehabilitation. A mnemonic to remember these is 'C.A.R.E.'—Culture, Aid, Respect, Engagement.
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The text delves into the philosophical aspects of habitat and habits, examining how displaced communities adapt to new living conditions after disasters and the complex dynamics between home and homelessness. Various theories regarding shelter provision and the implications of aid responses are also discussed, highlighting modern practices and the dichotomy between donor expectations and local realities.
In this section, we explore the critical interplay between habitat and human habits, a concept underscored by the contrasting examples of Cretto and Gibellina Nuova, both characterized by silences of lost communities. The concept of 'perceived space' and 'lived space' is introduced, emphasizing how emotional attachments to place shape human experiences. Using the work of Kim Dovey and Bourdieu, the discussion extends to the second birth of architectural practices in refugee housing initiated by organizations like IKEA, illustrating the challenges that forcibly displaced individuals face when adapting to foreign living conditions.
The narrative addresses the complexity of homelessness, arguing that it encompasses more than mere absence of shelter; it involves a nuanced understanding of cultural contexts and social power dynamics, represented through the dichotomy of 'haves' versus 'have-nots.' The inadequacy of traditional aid approaches is critiqued, where relief organizations often overlook local practices in favor of established relief protocols, resulting in a dismissive attitude towards indigenous systems. Critically, this section urges reflection on the meaning of participation and community engagement in post-disaster recovery, illuminating the power imbalances inherent in relief efforts. Furthermore, it highlights the need for understanding local contexts before imposing external solutions.
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But what we can see similar is both the Cretto and Gibellina Nuova has one common thing which is silence, the first is a city forever captured under a shroud of cement. The Cretto is captured which is archaeology of archaeology as a reminder of the past; and the second is a cemetery of houses, squares, monuments, and unfinished infrastructure.
This chunk discusses two locations, Cretto and Gibellina Nuova, emphasizing their quietness and what they symbolize. Cretto represents a city that has been covered with cement, turning it into a form of archaeological site. It's a reminder of the past and serves to memorialize what once was. In contrast, Gibellina Nuova is described as a cemetery that holds remnants of houses, public squares, and monuments that are unfinished, symbolizing loss and unfinished stories of the people who lived there.
Imagine a quiet, deserted village that used to be vibrant and filled with life, but now has only skeletons of buildings left. Visiting such a place can elicit feelings of nostalgia and sadness, similar to what one would feel when reflecting on lost opportunities or relationships. This illustrates how physical spaces hold emotional stories of their past.
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When we talk about the philosophical aspect of place, where especially we talk about the perceived space, and the lived space where certain sense of emotional attachments place on the daily where the habitat and habits interact with each other.
This chunk delves into the philosophical understanding of how we perceive places and how these perceptions affect our daily lives. It distinguishes between 'perceived space'—how we view a location in our minds—and 'lived space'—our actual experiences in that space. The interaction between our habitat (where we live) and our habits (daily practices) creates emotional attachments that shape our sense of belonging in a particular place.
Consider a childhood home. Even if you move away, the memories of laughter, family gatherings, and special moments there can create a strong emotional bond. This shows how our lived experiences in a habitat can significantly affect how we feel about that place, making it a crucial part of our identity.
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He reflects about second birth Bourdieu talks about second birth these are some of the refugee homes which were created by the Ikea. People from Syria or Afghanistan they were forcibly given these kinds of prefab elements to use, it could be a tent cities, it could be camps, it could be many other forms where because they are forced to enter into a different field, so that is where they have to learn a different practice, different set of rules, different process.
This chunk refers to the concept of 'second birth' as described by Bourdieu, which concerns how displaced people adapt to new environments. In this context, refugees from countries like Syria or Afghanistan are provided with temporary housing solutions, often with prefabricated elements from companies like Ikea. These individuals face the challenge of adapting to new rules and practices within unfamiliar living conditions.
Think of someone moving to a different country for the first time. They must learn not only a new language but also local customs and social norms to integrate into society. Similarly, refugees need to navigate a new environment and cultural practices, often in a hurried and challenging manner, to establish their new lives.
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The relationship between home and homelessness is more complex than the simple presence or absence of home and the physical adequacy of the shelter. So it is not just a part of the building there is more meanings to it.
This chunk highlights that the concepts of 'home' and 'homelessness' are not strictly defined by having a physical structure to live in. True 'home' encompasses emotional, cultural, and social meanings. A house might provide shelter but does not necessarily equate to feeling at home, which can influence one's identity and sense of belonging.
Consider someone who has a roof over their head but feels lonely and disconnected. They might have a physical shelter but not feel that emotional realization of home. On the other hand, a person living in a shared community space with friends might feel more at home due to strong social connections, demonstrating that home is more than bricks and mortar—it's about relationships and emotional ties.
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There was never just one cultural context for providing shelter following a disaster. It is always 2 they are just distinct one is the haves and the other one have-nots, the powerful and the powerless, the relief organizations and the victims, so there is the 2 dialects of the process, one is a giver one is a taker, one is a intender one is the victim.
This chunk discusses the complexity of relief efforts after disasters, stating that there are always at least two contrasting groups: those who have resources (the haves) and those who do not (the have-nots). It frames the relationship as a dialectic interplay between relief organizations (givers) and the victims receiving aid (takers). This highlights the power dynamics present, indicating that understanding and empathy are critical in disaster recovery contexts.
Imagine a scenario where one community is rich in resources after a natural disaster, while another is in dire need. When disaster relief arrives, the disparities can lead to frustrations, misunderstandings, and feelings of helplessness among the victims. This scenario underscores the importance of not just providing aid, but also understanding the cultural and contextual realities of those in need.
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Key Concepts
Habitat: Defined as the physical and cultural environment a community resides in.
Habits: Routine practices influenced by the habitat.
Perceived Space: The emotional lens through which individuals view their surroundings.
Lived Space: The practical experiences shaped by one's culture and environment.
Homelessness: A complex interplay of emotional, social, and cultural factors, not merely the absence of physical shelter.
See how the concepts apply in real-world scenarios to understand their practical implications.
Cretto: A city symbolizing silent memory and historical loss.
Refugee adaptations in IKEA-designed shelters showcasing the need for learning new living systems.
Use mnemonics, acronyms, or visual cues to help remember key information more easily.
In homes where we dwell, our stories we tell; Each space a bond, in it, we belong.
Imagine a town once vibrant and full of life, now silent and still. The memories of laughter and gatherings remind the survivors of what was lost; they are now adapting to a new reality in makeshift homes, striving to rebuild their lives, linking their past and future.
Remember 'HAPPS' - Habitat, Adaptation, Perception, Participation, Shelter to encapsulate the key discussion points.
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Review the Definitions for terms.
Term: Habitat
Definition:
The physical environment or space where individuals or communities live.
Term: Habits
Definition:
The established routines and practices of individuals within a specific habitat.
Term: Perceived Space
Definition:
The emotional and psychological interpretation individuals make of their environment.
Term: Lived Space
Definition:
The way individuals experience and engage with their surroundings based on personal or cultural contexts.
Term: Victim Culture
Definition:
The perspective that emphasizes the vulnerabilities and hardships faced by those affected by disasters.
Term: Relief Organizations
Definition:
Entities that provide aid and assistance in response to disaster situations, often employing standardized methods.
Term: Second Birth
Definition:
A concept referring to the adaptation process of individuals as they settle into new environments following displacement.