2.2.1. Internal vs. External Characterization

Today, we’re discussing characterization! Can anyone tell me what they think 'characterization' means?

Isn't it about how we describe characters in stories?

Exactly! Characterization involves how we develop, present, and portray characters. It can be divided into two main types: internal and external. Let’s start with external characterization. Can someone give me an example of something we might observe about a character externally?

How they look, like their clothes or facial expressions?

Great! External characteristics include appearance, actions, and mannerisms. Now, who can explain what internal characterization might be?

It relates to what they think and feel, right?

Exactly! Internal characterization reveals a character's thoughts, values, and emotional states. It's important because it helps readers understand a character's motivations. Remember, we often use a mnemonic to help with this: APPEAR - Actions, Personality, Emotions, Attitudes, Reactions, and Secrets. This covers both internal and external aspects. Everyone got that?

Yes, we've got it!

Now that we know the definitions, let's dive deeper into internal characterization. What do you think are some key elements we can explore for internal characterization?

Maybe their fears or desires?

Exactly! Internal experiences like fears, desires, beliefs, and values are all key to making a character relatable. For example, if a character fears failure, their choices and actions are influenced by that fear. Can anyone think of a character from a book or movie who embodies this?

What about Harry Potter? He's scared of being like Voldemort but also wants to be brave.

Excellent example! Harry's internal struggles drive many of his decisions throughout the series. Remember, the more we can show these traits through the character's thoughts and actions—rather than just telling the reader—the richer our narratives become. Let’s practice: can anyone think of a situation where a character's internal conflict led to an important decision?

In my story, my character had to choose between following her dreams or satisfying her family's expectations.

Great! Personal dilemmas like that can really deepen characterization.

Moving on to external characterization—this gives us a window into how characters are perceived by others. Can anyone share an example of how external traits can hint at someone’s internal state?

If someone is slouching and wearing dark clothes, it might show they are sad or upset.

Absolutely! External traits often serve as visual cues to a character's emotional and mental state. Remember, many readers draw interpretations from a character's actions or speech as well. How can we show a character's emotional turmoil without explicitly stating it?

By showing them clenching their fists or avoiding eye contact!

Exactly! Using body language and actions can effectively convey inner feelings. Using our earlier mnemonic, let's not forget how 'APPEAR' hints toward these cues, too. Let's finish this session by creating a character sketch where we detail both internal and external traits.

That sounds fun!

Now that we've discussed both internal and external characterization separately, how does combining these two enhance our storytelling?

It gives readers a full picture of the character!

Right! When we show both internal motivations and external actions, the character feels more lifelike. How can we implement this in our writing?

By including thoughts while also describing their actions at the same time?

Spot on! Think of it this way: when you write, let internal thoughts provide context to external actions. For example, if a character is seen helping someone while internally questioning their motives, it adds depth. Let’s brainstorm together a scene to practice blending.

I have an idea!