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Today, we are going to discuss the heartbeat of any story: conflict. Can anyone tell me what conflict is?
Isn't it when characters face challenges or struggles?
Exactly! Conflict drives the plot. There are two main types: internal and external. Can anyone give me examples of each?
A hero trying to overcome their fear would be internal conflict?
And an external conflict could be a character fighting against a villain, right?
Great examples! Remember, think of *I.C.E.* β Internal conflicts are about emotions, Challenges and conflicts are external. How do you think these conflicts can affect the story?
They create tension and keep readers engaged!
Correct! Conflict adds that essential tension and pacing that makes a narrative compelling.
Letβs summarize: Conflict is crucial because it drives the story forward and creates character depth through struggles.
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Now let's discuss pacing and tension. Why do you think itβs important to control pacing in a story?
If it's too slow, readers might get bored?
And if it's too fast, you might miss important details!
"Thatβs right! So pacing helps in maintaining reader interest. Letβs use the acronym *T.E.N.S.E.* to remember:
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Today, weβll talk about subplots. Who can tell me what a subplot is?
It's a secondary storyline that complements the main plot!
Exactly! Subplots can add complexity to the narrative. How can they enhance the story?
They can reveal more about characters and their motivations!
And they can relate to the main conflict, making things more interesting!
"You all make excellent points! Remember the acronym *C.A.D.* to remember the function of subplots:
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In this section, students learn about the centrality of conflict in storytelling, including definitions of internal and external conflicts. The discussion covers how pacing and tension influence narrative flow and the potential of subplots to enrich the primary storyline.
In storytelling, conflict serves as the fundamental force that propels narratives and develops characters. This section explores two primary types of conflict: internal conflict, which refers to a character's struggle with their own emotions or decisions (for example, fear vs. courage), and external conflict, where a character faces obstacles from outside forces, such as nature, society, or other characters. Understanding these conflicts is crucial for students as they craft their narratives.
Students will learn how effective pacingβcontrolling the speed at which a story unfoldsβand building tensionβcreating suspense and excitementβenhances the reader's experience. Tension can be developed through strategic reveals and raising stakes, thereby maintaining reader interest. Additionally, the introduction of subplots can provide depth and complexity to stories, intertwining with the main plot and enriching overall narrative.
By mastering these concepts, students cultivate the ability to produce compelling stories that resonate with readers, making conflict not just a plot device, but a vital element in character development and thematic exploration.
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Deepen the understanding of internal conflict (a character's struggle within themselves, e.g., fear vs. courage) and external conflict (character vs. another character, vs. nature, vs. society/technology, vs. fate). Emphasize that strong conflict drives the narrative forward.
This chunk explains two types of conflict: internal and external. Internal conflict refers to a struggle within a character. For instance, a character might be torn between their desire for success and their fear of failure. This struggle adds depth to the character and makes their journey relatable. On the other hand, external conflict involves a character facing challenges from outside forces, such as other characters, nature, or societal expectations. This type of conflict propels the story forward and keeps readers engaged. It's important to note that both conflicts are essential in storytelling because they create tension and intrigue that drive the action of the narrative.
Imagine a student who wants to try out for the school play but is afraid of performing in front of others (internal conflict). At the same time, they may also face external pressure from friends who are teasing them about being too shy. In a story, the combination of these internal and external challenges makes the character's struggle much more compelling.
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Discuss how to control the speed of the narrative (pacing) and how to build suspense or excitement (tension) through strategic reveals, rising stakes, and escalating challenges for the characters.
In this chunk, we learn about pacing and tension in storytelling. Pacing refers to how quickly or slowly the story unfolds. Authors can manipulate pacing through their choice of sentence length, paragraph structure, and the amount of detail they provide. For example, fast-paced scenes might have short sentences and quick action to create excitement, while slower scenes might use longer, descriptive passages to build atmosphere. Tension is created by raising the stakes for the characters; this involves putting them in challenging situations and revealing information step-by-step to keep readers on the edge of their seats. Effective pacing and tension can make a story thrilling, engaging the reader intensively until the climax.
Think about watching an action movie. The chase scenes are usually fast-paced with quick cuts, building excitement. In contrast, a scene where a character is contemplating a difficult decision might be slower, allowing us to feel their internal struggle. This blend of pacing keeps the audience invested in the story's outcome.
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How minor storylines can intertwine with the main plot, adding complexity and depth.
This chunk introduces subplots, which are secondary storylines that run parallel to the main plot. Subplots can explore minor charactersβ lives or additional conflicts that may relate to the main story. They can enrich the narrative by adding complexity and giving readers more insight into the characters' world. An effective subplot often complements or contrasts the main plot, which helps emphasize themes and character development. This layering of stories keeps the reader engaged and makes the world feel more realistic.
Consider a television drama series. While the main plot follows a detective solving a murder case, subplots may include the detective's relationship with their family or their struggles with addiction. These subplots not only deepen our understanding of the main character but also provide additional emotional layers to the story that resonate with viewers.
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Conflict Web (mapping out a central conflict and its various implications), Scene by Scene Outline (creating a bulleted list of key events for each part of the plot structure), Turning Point Brainstorm (identifying pivotal moments where the story changes direction).
This chunk proposes practical exercises designed to help writers map their stories effectively. The 'Conflict Web' exercise involves creating a visual map that outlines the central conflict of the story and explores all its complexities and effects on the characters. The 'Scene by Scene Outline' encourages writers to break down their narrative into distinct scenes, summarizing key events in a bulleted format to maintain structure and coherence. Lastly, 'Turning Point Brainstorm' asks writers to identify critical moments in their story where significant changes occur, helping them plan how their plot should evolve dramatically over time.
Think of planning a road trip. Before hitting the road, you might sketch a map, marking where youβll stop for gas, food, and sights. Each stop is a scene in your journey, and the turning point might be deciding to take a detour to explore an unexpected attraction. Using plotting techniques like these ensures your story flows smoothly from start to finish, just like a well-planned trip leads you to your destination.
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Key Concepts
Internal Conflict: The struggle within a character.
External Conflict: The struggle with outside forces.
Pacing: The narrative speed controls reader engagement.
Tension: The suspense created within the narrative.
Subplot: Secondary storylines that provide depth.
See how the concepts apply in real-world scenarios to understand their practical implications.
A character battles with their fear of public speaking (internal conflict), while facing a demanding audience during a speech (external conflict).
In a story involving a detective solving a murder case, the subplot might involve their troubled relationship with family members, providing additional emotional stakes.
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In conflict we find, depth of the mind, it drives the story, a plot thatβs well-defined.
Imagine a hero overcoming fear to face a dragon, this captures internal conflict, while battling the dragon represents external conflict.
Remember I.C.E. - Internal Conflict Equals emotions, while External challenges lead to struggles in real-time.
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Review the Definitions for terms.
Term: Internal Conflict
Definition:
A struggle within a character, involving emotional or psychological dilemmas.
Term: External Conflict
Definition:
A struggle between a character and outside forces, such as others, society, or nature.
Term: Pacing
Definition:
The speed at which a story unfolds, affecting the reader's engagement.
Term: Tension
Definition:
The emotional or mental strain that creates suspense within a narrative.
Term: Subplot
Definition:
A secondary storyline that complements or contrasts the main plot.