RADIO
In the year 2000, All India Radio (AIR) reached approximately two-thirds of Indian households, covering 24 languages and 146 dialects across 120 million radio sets. The introduction of privately owned FM radio stations in 2002 enhanced radio as a source of entertainment by offering a variety of music without political content. Popular options among urban young professionals include channels operated by major media conglomerates, for example, Radio Mirchi, Red FM, and Radio City.
Despite the popularity of these FM stations, independent community radio stations, akin to National Public Radio (NPR) in the USA or BBC in the UK, remain largely absent in India. Films such as ‘Rang de Basanti’ and ‘Lage Raho Munna Bhai’ depict radio as a vital means of communication in contemporary settings, showcasing how radio can mobilize social activism and public engagement.
The potential for growth in community radio is significant; local stations, like the one run by Raghav Mahato in Bihar, exemplify the merging of entertainment and local culture. His DIY FM station broadcasts music and public health messages despite lacking a government license, demonstrating a fierce local support for grassroots media. Raghav's story emphasizes that even in impoverished regions, homemade radio stations can thrive, fostering community spirit and engagement in local issues.