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Today, we will focus on film analysis. Specifically, we'll dissect how filmmakers use visual and auditory elements to convey narratives. Can anyone remind us what 'mise-en-scène' means?
Isn't it about everything that appears within the frame, like the setting and props?
Exactly! Everything from lighting to costume design contributes to the story's meaning. Let's look at a scene from a film. What lighting techniques can you identify?
The scene is really dark, so maybe it uses low-key lighting?
Right! Low-key lighting can create suspense. Remember the acronym LIT: Lighting, Imagery, Tone. This can help us analyze any scene better. Can anyone give an example of a film that uses this technique?
I think 'The Dark Knight' uses low-key lighting a lot!
Yeah, especially in scenes with the Joker!
Exactly! The Joker's chaotic nature is emphasized through that low lighting. Remember, understanding these elements allows us to engage with the film on a deeper level. To summarize, mise-en-scène includes everything from setting to lighting, and using the LIT acronym can help you analyze film effectively.
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Today, we're going to discuss media literacy, specifically how news reports can frame information. Can someone explain what 'gatekeeping' means?
It's when editors choose which stories to report, right?
Correct! And this can greatly affect how we perceive issues. What are some examples of narratives that may be influenced by gatekeeping?
Like how a news story about a protest might focus on violence rather than the cause?
Exactly! This is a perfect segway into discussing 'selection and omission.' Let's practice by comparing two articles on the same event. What should we look for?
We should check the tone and what kind of sources they use.
Great! Tone and sources are key. To remember this, use the acronym FRAME: Focus, Relevance, Angle, Meaning, and Emotion. This will guide your analysis. What happens when one article leans too heavily on certain aspects while omitting others?
It could create bias or lead to misinformation!
Precisely! To wrap up, gatekeeping can influence the narrative, and using FRAME can help us critically assess media. Next week, weβll investigate bias in media further!
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Welcome back! Today, we will outline our group documentary project. Who can remind me what a storyboard is?
It's like a visual plan where we sketch out scenes, right?
Exactly! It helps guide our visual narrative flow. What about the script? Why is it important?
It narrates the story and sets the tone for our documentary!
And remember, we will be focusing on audience engagement. Use the acronym RACE: Relevance, Audience, Content, and Emotion to keep your target audience in mind. Can anyone give an example of what might be included in our shot list?
We should list all locations and specific interviews we want to record.
Great point! Finally, during editing, we need to ensure logical flow. Using RACE will help ensure our choices resonate with viewers. To summarize, using storyboards for visual layout and the RACE acronym to focus on audience will be key in our projects.
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The section outlines practical activities designed to enhance students' understanding of multimodal communication by analyzing film, news reports, and graphic novels, while also providing hands-on experience in producing their own multimodal texts.
In this section, we explore a variety of engaging activities aimed at advancing students' skills in analyzing and producing multimodal texts. These activities are crafted to deepen critical literacy, facilitating the transition from theory to practical application. Students will engage in workshops focused on film analysis, media literacy, and collaborative storytelling projects while considering important elements of multimodal communication. Such experiences will equip them with the necessary tools to critically assess representation in media, understand emotional resonance across modalities, and effectively create their own narratives that resonate with diverse audiences.
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These will be intensive, hands-on sessions. Students will not only identify cinematic techniques but also articulate why those specific choices were made by the filmmakers and how they contribute to the narrative, character development, emotional arc, and thematic depth. We will use a precise critical vocabulary (e.g., "the shot employs a low-key, three-point lighting setup to emphasize the protagonist's moral ambiguity, while a slow tracking shot builds a sense of dread"). Students might engage in reverse-engineering exercises, attempting to deduce the intended effect from a given visual or auditory choice.
In these workshops, students dive deep into analyzing films, focusing not just on what they see, but also on understanding the reasons behind the directors' choices. For example, they learn terms like 'low-key lighting' and understand how it sets a mood or develops a character's complexity. They might dissect a scene and guess why a filmmaker chose a specific angle or sound, promoting critical thinking skills and enhancing their appreciation for film.
Imagine youβre a detective solving a mystery. Just like detectives look for clues to understand what happened, students in these workshops analyze film scenes for clues about the story and characters, piecing together how each filmmaking choice contributes to the bigger picture.
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Practical and research-based sessions focusing on real-world, contemporary news events. Students will:
These workshops teach students critical skills to analyze news media. They will learn to look at how different outlets report the same story, noting variations in the language and focus. Additionally, theyβll become adept at detecting propaganda techniques, which helps them navigate media manipulation. Finally, they will learn how to verify facts and identify trustworthy sources, essential skills for becoming informed consumers of news.
Think of it like being a food critic who samples dishes from various restaurants. Just as the critic notes how the same dish can taste differently at different places based on the chef's choices, students learn to identify how the same event can be portrayed differently based on the perspectives of various media outlets.
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Producing a Short Documentary or Investigative News Report: This will be a significant, multi-stage group project where students apply their analytical knowledge to creative production. Students will:
In this project, students collaborate to create a documentary or news report on a topic they choose. The project is structured in stages, starting with research to understand the issue. During pre-production, they plan their shots and write scripts. In the production phase, they film the project, focusing on technical aspects like lighting and sound. Finally, they edit and refine their work, ensuring it effectively communicates their message. This hands-on experience is designed to encourage teamwork and creativity.
Consider this project like planning a group school play. Just as actors rehearse lines, choose costumes, and manage stage settings, students will plan, shoot, and produce their documentary, learning about all the behind-the-scenes work that goes into creating a polished final product.
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Students will independently design and create a persuasive multimodal presentation (e.g., using advanced features of Google Slides, Prezi, or even a simple website) or a digital campaign (e.g., a series of social media posts, a short animated explainer video, an interactive infographic) on a contemporary issue. This project will require:
In this project, students create a persuasive presentation or digital campaign addressing a contemporary issue. They will learn to strategically combine different media forms like images, text, and data to effectively convey their message. Understanding the target audience is crucial, as they must present their work in a way that resonates with their specific demographic. Additionally, they will write a rationale to reflect on their choices and articulate their project's intent, ensuring they think critically about their design process.
Imagine youβre organizing a fundraiser for a local animal shelter. You would need to create posters, social media posts, and possibly videos that effectively persuade people to donate. This project is similar, as students must think like campaigners, using various media to communicate their message clearly and effectively.
Learn essential terms and foundational ideas that form the basis of the topic.
Key Concepts
Mise-en-scène: The arrangement of visual elements in a frame, affecting narrative storytelling.
Gatekeeping: The media process that determines which stories are told and how.
Framing: Influences our understanding of news stories through selective focus and presentation.
Storyboarding: A crucial step in visual planning for multimedia projects.
Audience Engagement: Tailoring content to resonate with a specific demographic.
See how the concepts apply in real-world scenarios to understand their practical implications.
An example of mise-en-scène is the use of a dimly lit setting to create tension in a horror film.
A news article that highlights a politician's scandal while omitting their achievements exemplifies selection and omission.
Use mnemonics, acronyms, or visual cues to help remember key information more easily.
In a film frame, don't you see? Everything's there, so vividly!
Imagine a bustling city scene β lights flashing, people passing. Each detail adds to the storyβs meaning, just like each element in mise-en-scΓ¨ne!
Use the mnemonic GATE for Gatekeeping: G for Decide, A for Authorize, T for Tell, E for Evaluate.
Review key concepts with flashcards.
Review the Definitions for terms.
Term: Miseenscène
Definition:
The arrangement of everything that appears in the framing of a shot, including settings, props, and lighting.
Term: Gatekeeping
Definition:
The process through which information is filtered for dissemination, determining what is reported in the media.
Term: Framing
Definition:
The way a news story is presented, influencing audience interpretation through the selection of certain elements over others.
Term: Selection and Omission
Definition:
The practice in media where certain information is included while other potential information is excluded, impacting the narrative.
Term: Storyboard
Definition:
A sequence of drawings representing the shots planned for a film or television production.