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Welcome, students! Today, we're diving into feedback systems within analog circuits. Can someone remind me what we mean by feedback in amplifiers?
Feedback means taking a portion of the output and returning it to the input.
Exactly! Feedback can be negative or positive, but today we'll focus on negative feedback since it stabilizes the gain. Can anybody explain how this affects frequency response?
Negative feedback can reduce distortion and improve bandwidth, right?
Correct! Remember, we often use the acronym STABLE: Stability, Transfer function, Amplifier performance, Bandwidth, Loop gain, and Error reduction. Let's explore how feedback impacts the pole locations in the next session.
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In this session, we're going to examine how feedback shifts pole locations. If we have an amplifier with one pole at location 'p', what happens to the pole with feedback?
The pole shifts to a new position, 'p prime', and this is based on the factor (1 +Ξ²A).
Exactly! This is crucial because it affects the system's stability and gain at different frequencies. Can anyone tell me how we could visualize these shifts?
We could draw a bode plot to show how the gain changes over frequency.
Great idea! The Bode plot illustrates how the original gain curve represents a pole, while the feedback shifts this curve, which we can see in our next example.
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Now letβs consider the scenario of an amplifier with two poles located at 'p1' and 'p2'. How do these two poles behave under feedback?
One pole might shift significantly, while the other stays relatively constant if its frequency is much higher.
Exactly! We denote the shifted pole as 'p prime' and can approximate it as 'p1(1 + Ξ²A)'. Can anyone think of an application for these concepts?
In designing audio amplifiers, managing pole locations is critical to avoid distortion in sound.
Spot on! Our understanding of pole locations helps to ensure quality audio output. Let's summarize what we covered regarding pole shifts and their implications in circuits.
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The section provides a detailed analysis of how feedback impacts the frequency response in amplifiers, particularly looking at pole locations. It covers different configurations of feedback and their influence on gain and frequency response, using Laplace transforms to analyze the systems.
This section analyzes how feedback networks influence the frequency response of forward amplifiers, particularly in terms of pole locations within the amplifier's transfer function. It starts with a recap of the principles of feedback systems, emphasizing the stability of negative feedback systems in DC conditions and how they affect the performance of amplifiers.
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In general, we can say that it is valid for even other linear circuit, but our specific focus it will be on amplifier. And also the when you say frequency response, it is primarily our focus it will be on gain of the amplifier, but that is also applicable for impedance.
This chunk introduces the concept of feedback in electronic circuits and its specific relevance to amplifiers. It acknowledges that while the ideas apply to linear circuits in general, the main focus will be on how feedback affects the frequency response of amplifiers. The frequency response is centered primarily on the gain of the amplifier, which is how effectively the amplifier increases the strength of an input signal. Additionally, it notes that frequency response concepts can also apply to other parameters like impedance.
Think of an amplifier as a megaphone. Just as a megaphone amplifies your voice, an amplifier increases the strength of an electrical signal. If the megaphone is poorly designed (like having improper feedback), your voice may sound distorted or unclear. Similarly, feedback in electrical amplifiers helps to ensure that the amplified signal remains clear and accurate.
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The concepts we will be covering today it is primarily how the locations of the poles are getting changed in the feedback system and that is due to the location of the amplifier's poles and also the poles of the feedback network.
This chunk delves into the technical aspect of how feedback influences the characteristics of an amplifier. It explains that the focus will be on the poles of the system, which are specific values that correspond to the frequencies at which the system's response can change dramatically. The poles of both the amplifier and the feedback network will determine how the overall behavior of the amplifier's frequency response alters when feedback is applied.
Imagine a seesaw with weights on each side representing poles. The position of the weights affects how the seesaw balances. In an amplifier, the poles determine stability and response just like weights affect the pivot and balance of a seesaw. When feedback is applied, the weights' positions change, impacting how well the seesaw works, similar to how feedback repositions the poles of an amplifier.
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Suppose this A is having one pole then what is its influence on the location of the pole of the feedback system?
Here, the discussion shifts to a specific case where the amplifier has only one pole. The chunk raises the question of how this single pole influences the overall feedback system. It sets the stage for further exploration of the mathematical relationships and behaviors that can be derived when analyzing the single-pole system under negative feedback conditions.
Consider a single point of support on a bridge. If that support is strong and placed correctly, the bridge is stable, similar to how a single pole in an amplifier helps maintain stability in its output. If we now add weight to the other side (negative feedback), we need to consider how that affects the whole structure. In amplifier terms, how the feedback influences the single pole's stability is akin to examining how the added weight affects the balance of the bridge.
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So, what we can say here it is the transfer function of the feedback system, it is having low frequency gain A_f were, A it is defined here divided by (1 + Ξ²A_o).
This chunk provides a mathematical expression that shows how the feedback system modifies the low-frequency gain of the amplifier. By stating that the gain is defined by the ratio of the task to the factor (1 + Ξ²A_o), where Ξ² is the feedback factor and A_o is the amplifier's original gain, we begin to see how feedback not only impacts the gain at low frequencies but also stabilizes the system overall.
Think of a factory assembly line that produces bicycles. Normally, the production rate (gain) is at a certain level. If one worker (feedback) suggests improvements that slow down the production pace to ensure quality, this setup results in a more consistent output. Similarly, the formula shows that applying feedback can adjust and stabilize the gain of an amplifier at low frequencies, ensuring quality output.
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So, if you look into the bode plot of the feedback system namely if we sketch the gain and phase of this A and along with probably the gain and phase of A.
In this chunk, the focus shifts to visual representation of the amplifier's behavior through Bode plots. A Bode plot graphically displays how gain and phase shift change with frequency. By comparing plots of the original amplifier and the feedback amplifier, we can observe how feedback alters the system's frequency characterization, providing insights into the stability and performance of the circuit.
Imagine tuning a guitar. As you twist the tuning pegs (analogous to applying feedback), the sound changes based on how tight or loose the strings are. Similar to how one's ear listens for quality, Bode plots allow engineers to visually assess the effectiveness of feedback on amplifier performance at various frequencies.
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So, in summary we can say that A it is having two poles, but one of these two poles it is almost remaining the same as the location of the pole of A; but then the other pole p' it is getting shifted by a factor of 1 + Ξ²A_o.
This concluding chunk summarizes the findings on the feedback system with two poles. It emphasizes that one of the poles remains largely unchanged while the other is modified by the feedback factor. This has implications for the stability, performance, and frequency response of the amplifier, reminding students of the importance of considering feedback in circuit designs.
Consider a wolf pack, where one leader (pole that remains stable) guides the group while the others adapt based on circumstances (the shifting poles). In an amplification system, this reflects how certain characteristics stay stable while others adapt based on the feedback mechanisms applied.
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Key Concepts
Feedback System: A method where part of the output is fed back to the input to control the system's behavior.
Poles: Values of frequency in a system's transfer function that affect gain and system stability.
Gain-Bandwidth Product: A performance metric indicating the trade-off between gain and bandwidth in amplifiers.
Loop Gain: The amplification factor in a feedback system influencing stability and behavior.
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A single pole system with feedback shifts the pole leading to an improved bandwidth without sacrificing gain.
In a dual-pole amplifier design, one pole might remain stationary at a higher frequency while the other shifts considerably, impacting overall performance.
Use mnemonics, acronyms, or visual cues to help remember key information more easily.
Feedback is like a boomerang, returns what you've thrown, making your circuit perform better, as it refines and is grown.
Imagine a musician adjusting the microphone feedback to improve sound clarity, just as engineers manage feedback in amplifiers to enhance performance.
Remember STABLE: Stability, Transfer function, Amplifier performance, Bandwidth, Loop gain, and Error reduction for feedback effects.
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Review the Definitions for terms.
Term: Feedback
Definition:
A process where a portion of the output of a system is looped back to the input, affecting its operation.
Term: Pole
Definition:
A concept in control theory representing a point where a system's transfer function becomes infinite, affecting system stability and frequency response.
Term: Gainbandwidth product
Definition:
A constant for an amplifier that describes the trade-off between the gain and bandwidth, indicating performance limits.
Term: Loop gain
Definition:
The product of the forward gain and feedback factor, vital for assessing system stability.