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Today, weβre diving deep into the characteristics of good objectives for our characters. Can anyone tell me what an objective is?
Is it what the character wants to achieve in a scene?
Exactly! Objectives are the goals that drive a character's actions. Now, letβs talk about why they are crucial. Why do you think having a clear objective is important?
It helps the actor portray the character more convincingly.
Yes! Clear objectives provide direction. Remember this acronym: 'SMART' β Specific, Measurable, Achievable, Relevant, Time-bound.
So, our objectives should be specific and achievable within the scene, right?
Correct! Objectives need to be clear and reasonable for the character. Let's summarize: having clear objectives enhances character realism and engagement with the audience.
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Letβs break down the characteristics of good objectives. What's one characteristic we should look for?
They should be specific!
Right! Specific objectives detail precisely what the character aims to do. Can anyone give me an example of a specific objective?
To persuade someone to give them a ride!
Great example! Now letβs move on to another characteristic: they should be active. Why do you think that matters?
Active verbs indicate a drive. It shows the audience the character is taking action.
Exactly! Such verbs give purpose to the character's actions.
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Now, letβs discuss obstacles. What role do obstacles play in character objectives?
They create conflict and tension between characters.
Yes! And without conflict, isnβt drama a bit flat?
Right! It makes the character's journey more interesting.
Exactly! And remember, obstacles can be internal or external. How do these affect a character's journey?
Internal obstacles create depth, while external obstacles create immediate tension.
Perfect! The interplay between objectives and obstacles is crucial for crafting a rich narrative.
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Good objectives are critical for actors to effectively convey their characters' intentions on stage. They should be specific, active, achievable, externally directed, and contextually relevant to create meaningful interactions and drive the narrative.
In this section, we delve into the definition and importance of effective objectives in the context of character portrayal within drama. Objectives serve as the immediate goals that characters strive to achieve in a particular scene and play a crucial role in guiding their actions. Understanding the characteristics of well-defined objectives helps actors create believable and engaging performances.
To enhance the drama, it's essential that characters face obstacles in their pursuit of objectives. These obstacles might be external characters, the environment, or internal conflicts. Understanding both the goal and the opposition is vital for creating compelling dramatic tension, thereby enriching the audience's experience.
In summary, a solid grasp of what a character wants and what stands in their way allows actors to craft nuanced performances that resonate emotionally with their audience.
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An objective is the specific, tangible goal a character is trying to achieve within a particular scene or moment. It is what the character wants from another character or from the situation. Objectives are active and measurable.
In drama, objectives are vital as they drive the actions of characters. When actors understand what their characters want, it helps them portray emotions and reactions more effectively. An objective should be clear, related to the character's actions in the moment, and measurable, meaning it can clearly be seen in what the character does or tries to do during a scene.
Think of a character in a play as someone trying to accomplish a task, like passing a test. Their objective might be 'to convince the teacher to give them a second chance to retake the exam.' This objective could be observed in their actions and dialogue, showing urgency or determination in their approach.
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β Specific: "To get the key" is better than "to get out."
β Active: Expressed with a strong, active verb (e.g., "to persuade," "to threaten," "to comfort," "to avoid," "to demand," "to uncover").
β Achievable (or nearly so): The character must believe they can achieve it in that moment, even if they ultimately fail.
β Externally Directed: Usually involves influencing another character or changing a situation.
β In-the-Moment: Objectives can change from line to line or beat to beat within a scene, as new information comes to light or circumstances shift.
Good objectives have five main characteristics. Firstly, they should be specific, focusing on a clear outcome. Secondly, they must involve an active verb that indicates how a character plans to achieve their goal. Thirdly, objectives should be achievable, ensuring the character believes they can succeed in their attempt. Fourth, they are typically directed towards influencing others or changing a situation. Lastly, objectives can evolve throughout the scene, allowing characters to adapt based on new developments.
Imagine a lawyer preparing for a case. An objective might be "to confront the witness about their testimony." This is specific and active. If new evidence appears during the trial, the lawyer's objective could shift to 'to persuade the jury of reasonable doubt,' showcasing how objectives can change dynamically.
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For an objective to be dramatically interesting, there must be an obstacle preventing the character from easily achieving it. The obstacle creates conflict and raises the stakes of the scene. The obstacle might be another character, the environment, or even the character's own internal struggles.
In drama, obstacles are crucial because they create tension and conflict. A character's objective becomes more engaging when there is something standing in their way. These obstacles can be external, such as a rival character obstructing their goals, or internal, like a character's fear or doubt. The existence of obstacles propels the narrative forward and provides a richer experience for the audience.
Consider a runner trying to complete a marathon. If they pull a muscle during the race, their goal of finishing starts to seem difficult, which adds tension to their journey. This challenge heightens interest as viewers become invested in whether they can overcome this obstacle and succeed.
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By meticulously identifying both the deep-seated motivations and the immediate objectives (and the obstacles to those objectives), an actor gains a clear blueprint for their character's actions, reactions, and choices, making every moment on stage deliberate and filled with purpose.
Understanding both motivations and objectives allows actors to create more authentic performances. When they identify what drives their character and what they are trying to achieve in each moment, it helps them navigate the complexities of the scene. This clarity translates into more powerful portrayals, allowing audiences to connect with the character's journey on a deeper level.
Think of a chef preparing a new recipe. They must understand both the motivation behind the dish (to impress guests) and the immediate objective (to get all the ingredients prepared correctly). If they know why they wanted to create this dish in the first place, it can inform their efforts and decisions, leading to a more enjoyable final meal.
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Key Concepts
Specific: Objectives should clearly define what a character wants to achieve.
Active: Objectives must employ strong verbs to signify character drive.
Achievable: Characters should believe their objectives are possible.
Externally Directed: Objectives often involve influencing other characters.
In-the-Moment: Objectives can adapt as the scene progresses.
See how the concepts apply in real-world scenarios to understand their practical implications.
A character's objective may be to 'persuade their friend to attend a party,' which is specific and active.
An objective to 'get the key' is preferable to a vague ambition like 'to escape.'
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To act with zest and show your quest, be specific, active, and do your best!
Imagine a character named Alex who wants a promotion. Their specific goal is to impress their boss with results, but they face the obstacle of a competitor. This creates tension and drives the story as Alex navigates these challenges.
S.A.A.E - Specific, Active, Achievable, Externally directed.
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Review the Definitions for terms.
Term: Objectives
Definition:
The specific goals that a character seeks to achieve in a scene.
Term: Obstacles
Definition:
Challenges or barriers that prevent characters from easily achieving their objectives.
Term: Actors
Definition:
Individuals who perform characters in a play, film, or drama.