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Today, we're exploring character objectives. What do you think is meant by a character's objective in a play?
I think it's what they want to achieve in a scene.
Right, like their goal or aim?
Exactly! We can remember this by the acronym 'SAGE' β Specific, Active, Achievable, and Externally directed. Can anyone explain why objectives should be specific?
Because if they are vague, itβs harder for the audience to understand what the character really wants.
Great point! Specificity helps build clarity in the narrative. Let's move on to how specific objectives enhance tension within a scene.
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We have established that objectives need to be specific. What are some other characteristics that make a good objective?
They should also be active!
Exactly! 'Active' means we use strong verbs, such as 'to persuade' or 'to demand'. Can anyone give an example of how an active objective changes a sceneβs dynamics?
If a character's objective is 'to comfort,' it creates a different atmosphere than just 'to talk.'
Exactly right! The type of verb influences the action and interaction of the characters. Letβs discuss how achieving or failing these objectives creates dramatic tension.
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Another important aspect to remember is that a character's objective can change from line to line. Why do you think this is significant?
Because interactions are fluid? Like, new information can change what someone wants?
Correct! This fluidity keeps the audience engaged. Can anyone think of an example where a character's objective changed due to an obstacle?
Maybe in a scene where a character realizes they canβt trust someone? They might shift from wanting to persuade them to wanting to confront them.
Exactly! The presence of obstacles leads to conflict, which is always more interesting in drama. Remember, a character's objectives are the foundation of dramatic action!
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Let's discuss the role of objectives in dramatic action. How does understanding a characterβs objective impact an actorβs performance?
If an actor knows the objective, they can really embody the character's motivations.
Exactly! An actorβs connection to their characterβs wants makes their performance more authentic. What happens when characters face obstacles?
That creates tension! It makes us want to know if they will succeed.
Well said! The struggle between achieving an objective and facing obstacles is what resonates with the audience, as it mirrors real life.
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To wrap up, how might we best approach crafting objectives for characters in our own scenes?
We should start by defining what the character wants and ensure it's specific.
And think about what obstacles will stand in their way!
Yes! By clearly defining goals and conflicts, we can create dynamic and engaging scenes. Remember this: the clearer the objective, the stronger the dramatic impact!
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The section discusses how objectives serve as the immediate goals of a character within a scene. Objectives must be specific, active, externally directed, and can change depending on circumstances. Understanding a character's objective is crucial for effective acting and storytelling, as it establishes the stakes and motivates actions.
In this section, we delve into the concept of objectives in character development, emphasizing their role as the immediate goals that drive a character's actions within a scene. An objective is specific, active, achievable, externally directed, and can shift as the narrative unfolds.
Objectives are vital in constructing engaging drama because they create tension and stakes, particularly when obstacles impede their achievement. Thus, acknowledging what a character wants and what stands in their way is essential for actors, as it fuels the dramatic action and enhances depth in performance.
Overall, understanding both motivations and objectives equips actors with the necessary insight to make deliberate and meaningful choices on stage.
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An objective is the specific, tangible goal a character is trying to achieve within a particular scene or moment. It is what the character wants from another character or from the situation. Objectives are active and measurable.
In the context of drama, an objective refers to what a character is actively pursuing at any given moment in a scene. This means that every time a character speaks or acts, they should have something specific that they want to achieve. It's like when you have a goal in a game; you know what you need to do to win. In acting, having a clear objective helps the actor stay focused and makes their performance more engaging for the audience.
Think of a student in a classroom who wants to ask their teacher a question. Their objective is to get the teacher's attention and ask their question. This focuses their actions and words during the interaction with the teacher. Similarly, in drama, a character should always know what they are trying to get from the other characters in each scene.
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Characteristics of good objectives include: 1. Specific: "To get the key" is better than "to get out." 2. Active: Expressed with a strong, active verb (e.g., "to persuade," "to threaten," "to comfort"). 3. Achievable (or nearly so): The character must believe they can achieve it in that moment, even if they ultimately fail. 4. Externally directed: Usually involves influencing another character or changing a situation. 5. In-the-moment: Objectives can change from line to line or beat to beat within a scene.
Good objectives in acting share common traits that make them effective. They must be specific so that the actor understands exactly what they're after. For example, saying "to persuade" is much clearer than a vague objective like "to be nice." These objectives should also be achievable, meaning the actor should feel like they can realistically accomplish them within the scene's context. Additionally, the objectives should involve interaction with other characters or the environment, as this creates dynamic, engaging actions.
Imagine you're in a group project, trying to convince your classmates to adopt your idea. Your objective might be "to persuade my classmates to agree with my idea" rather than just "to talk about the project." This clear and active objective guides your words and actions during the discussion, making it more likely for you to succeed.
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For an objective to be dramatically interesting, there must be an obstacle preventing the character from easily achieving it. The obstacle creates conflict and raises the stakes of the scene. The obstacle might be another character, the environment, or even the character's own internal struggles.
Obstacles are essential in drama because they create conflict. Without obstacles, there would be no tension or excitement in a scene. For example, if a character's goal is to persuade someone to do something, but that person is firmly against it, the actor must navigate that conflict to achieve their objective. This struggle makes the storyline engaging and drives the characters' actions.
Consider a competitor in a race. Their objective is to win, but obstacles like other runners, rough terrain, or their physical stamina can impede their progress. Similarly, in drama, these obstacles not only challenge the character but also keep the audience invested in whether or not they will overcome them to reach their goal.
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By meticulously identifying both the deep-seated motivations and the immediate objectives (and the obstacles to those objectives), an actor gains a clear blueprint for their character's actions, reactions, and choices, making every moment on stage deliberate and filled with purpose.
Understanding both motivations and objectives helps actors create more nuanced and intentional performances. When actors know what their characters want and the obstacles they face, it allows them to react more authentically and naturally on stage. This intentionality enriches the storytelling and enhances the overall experience for the audience since they can see the struggles and triumphs of the characters clearly.
Think about preparing for an important job interview. Your motivation might be to land the job, but your objective during the interview is to impress the interviewer with your skills and qualifications. You might face obstacles like tricky questions or competition from other candidates. By knowing your objectives and the challenges you might encounter, you can prepare more effectively, just as an actor prepares for their role.
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Key Concepts
Objective: The immediate goal a character wants to achieve.
Motivation: The underlying drive for a character's actions.
Active Verb: A strong verb that specifies what a character seeks to do.
Dramatic Tension: The conflict arising from a character pursuing objectives.
See how the concepts apply in real-world scenarios to understand their practical implications.
In a scene, a character's objective might be to 'persuade' another character to lend them money, creating a clear conflict if the other character is resistant.
If a character's objective shifts from 'to convince' to 'to confront' due to evolving information or obstacles, it adds layers of complexity to the drama.
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Objectives should be wise, not vague in disguise.
Imagine a knight on a quest; his objective is to seek the treasure but he must face a dragon first.
Remember 'SAGE' for good objectives: Specific, Active, Achievable, Externally directed.
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Review the Definitions for terms.
Term: Objective
Definition:
The specific, tangible goal a character is trying to achieve within a scene.
Term: Motivation
Definition:
The underlying reason or drive that compels a character's actions and thoughts.
Term: Conflict
Definition:
The obstacles that prevent a character from easily achieving their objectives.
Term: Active Verb
Definition:
A word that conveys action which defines what a character aims to do.
Term: Dramatic Action
Definition:
The unfolding events on stage driven by charactersβ objectives and conflicts.