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Let's start by discussing motivation. Can anyone tell me what motivation means in the context of a character?
Isn't it the reason why a character does what they do?
Exactly! Motivation is indeed the 'why' behind a characterβs decisions and actions. Can anyone give me some examples of sources of motivation?
Maybe basic needs like survival or love?
Great examples! Basic needs are a major source. Other sources can include emotional drivers like anger or joy, past experiences, and even ambitions. Letβs remember the acronym 'BEPEAR' to recall these sources: Basic Needs, Emotional Drivers, Past Experiences, Ambitions, External Pressures, and Relationships. Can someone explain what is meant by 'external pressures?'
It could be things like societal expectations or financial issues.
Exactly! Those pressures can really influence a character's decisions. Remember, motivations can be conscious or unconscious, which adds complexity. Letβs summarize: motivation is crucial because it leads to dramatic tension and character conflict.
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Now let's move on to objectives. What do we mean by a character's objective in a scene?
It's what the character wants or is trying to achieve, right?
Exactly! Objectives represent the specific, tangible goals that characters pursue. Can you remember what characteristics make a good objective?
They should be specific and active, like 'to persuade' or 'to uncover,' and they have to have obstacles!
Perfect! Knowing the objective and the obstacles is essential for actors because it fuels the dramatic action. Let's think about scenes from plays. Can anyone give an example of a scene with clear objectives?
In a confrontation scene, one character might aim 'to win an argument' while the otherβs objective could be 'to stay calm.'
Exactly! This interplay makes the drama engaging. Remember: objectives are active and can shift in response to the plot developments.
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Letβs discuss obstacles. Why do you think obstacles are necessary in a characterβs journey?
They make it harder for characters to achieve their objectives, adding tension.
Exactly! Obstacles create conflict. Can anyone name some common obstacles actors might portray in a performance?
Another character can be an obstacle, or the setting can make things difficult too.
Or even internal struggles like fear or self-doubt!
Correct! All these factors enhance the story's complexity. It's important to understand both the objective and the obstacles. If you can visualize this dynamic, you'll enrich your character work!
So itβs kind of like a game where characters trying to win, but there are certain rules and challenges?
Exactly! Well said! Itβs crucial for actors to constantly analyze their characters' motivations and objectives to create a compelling narrative.
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Now that we've discussed motivation and objectives separately, how do you see them connecting in character development?
I think a characterβs motivation drives their objectives. If their motivation changes, their objectives will too!
Absolutely! Understanding this relationship helps actors bring depth to their performances. Can someone provide an example of how motivation shifts could affect a character's objective?
If a character is motivated by revenge, their objective might be to confront someone. But if they start feeling compassion, their objective could shift to forgiving instead.
Exactly right! Changes in motivation lead to new challenges and conflict, allowing for a richer narrative arc. Remember: keeping track of both motivation and objective is essential for maintaining a characterβs authenticity on stage.
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The section delves into how understanding a character's motivation (the 'why' behind actions) and objectives (the 'what' they aim to achieve) enriches performances and develops more complex characters. It emphasizes the importance of these driving forces, their sources, and their significance in creating engaging narratives.
In this section, we examine two fundamental components that shape a character's actions in drama: motivation and objectives.
By integrating a character's multifaceted motivations and clear objectives, actors can depict nuanced and compelling portrayals that capture the audience's attention and promote an engaging dramatic narrative.
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Motivation is the underlying reason, impulse, or desire that compels a character's thoughts, feelings, and actions. It's the "why" behind their every move. Motivations can be conscious (the character knows why they're doing something) or unconscious (driven by deeper, unacknowledged desires or fears).
Motivation is the fundamental reason why characters behave a certain way. It answers the question of 'why' they take specific actions in a story. Motivations can be obvious, where the character is fully aware of their reasons, or they can be hidden, stemming from fears or desires that the character isn't even aware of. For example, a character may believe they want to become successful (a conscious motivation) but may actually be driven by a fear of failure from their childhood (an unconscious motivation). Understanding a character's motivation is crucial for an actor, as it allows them to portray the character convincingly.
Imagine someone working really hard to get a promotion. On the surface, their motivation may seem to be a desire for a better salary (a conscious motivation). However, if we look deeper, we might find they fear being seen as a failure by their family (an unconscious motivation). This layered understanding of motivation makes the character more relatable and complex, just as people in our lives are often driven by multiple reasons.
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Motivation can stem from various sources, and understanding these sources helps in portraying a character authentically. For instance, basic needs like survival and love are powerful motivators; characters may act out of fear or desire based on these needs. Emotional drivers can lead characters to make irrational decisions based on feelings, like a character acting out of revenge after a betrayal. Ideological drivers might cause a character to take a stand for their beliefs, and past experiences often shape their current behaviors and fears. Relationships play a huge role too; characters often act to protect or impress loved ones. Lastly, external pressures can compel characters to react to the environment around themβlike societal expectations or threats.
Consider someone who dedicates years to a cause, like fighting for environmental sustainability. Their motivation can come from a deep-rooted belief in justice and the need to protect future generations (ideological driver). However, they may also be motivated by a desire to impress a mentor or support system (relationships), and fear of the planet's degradation (emotional driver). These multiple motivations fuel their passion and commitment, showcasing how complex and intertwined motivations can be.
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An objective is the specific, tangible goal a character is trying to achieve within a particular scene or moment. It is what the character wants from another character or from the situation.
Objectives are clear goals that drive a character's actions in a scene. They define what a character wants to achieve at that specific moment and are crucial for creating tension and conflict in a narrative. A well-defined objective is active and measurable; for example, rather than just wanting 'to escape,' a character might have the objective 'to persuade my partner to trust me.' This specificity not only adds depth to the character but also clarifies the actions they take in pursuit of that goal.
Think of a student who approaches a teacher after a poor exam performance. Their objective may be 'to convince the teacher to let them retake the test.' This shows a specific action they want to achieve. Instead of simply feeling upset about their grade, they are actively engaging in a dialogue with a clear goal in mind, mirroring how characters operate in a story.
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Good objectives are clear, active, and specific. They should describe exactly what the character wants (specificity), use strong verbs to indicate actions (activity), and be reasonable for the character to achieve given the story's circumstances. Objectives should be directed toward other characters or their environment (external direction) and can change throughout the scene as interactions evolve and new challenges arise, keeping the performance dynamic and engaging.
Imagine an employee in a meeting who wants to propose a new idea. Instead of having a vague or passive objective ('to talk about my project'), their clear objective could be 'to get my manager to approve my budget request.' This specificity and active direction help focus their efforts in the conversation, mirroring how characters must focus their intentions in a dramatic narrative.
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For an objective to be dramatically interesting, there must be an obstacle preventing the character from easily achieving it. The obstacle creates conflict and raises the stakes of the scene. The obstacle might be another character, the environment, or even the character's own internal struggles.
Obstacles are essential elements of storytelling because they create tension and conflict. When a character's objective cannot be easily met due to various barriers, whether it be another character opposing them, a physical challenge, or even their inner fears, it makes the narrative more compelling. This struggle brings depth to the character's journey, as they must navigate these hurdles to achieve their goals.
Think about a person trying to get a promotion at work. Their objective is clear: they want to impress their boss. However, they face obstacles like a colleague who is also vying for the same position or their own self-doubt about their capabilities. These obstacles make their journey more interesting and relatable, much like characters in a story must overcome hurdles to reach their goals.
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By meticulously identifying both the deep-seated motivations and the immediate objectives (and the obstacles to those objectives), an actor gains a clear blueprint for their character's actions, reactions, and choices, making every moment on stage deliberate and filled with purpose.
Understanding both motivation and objectives allows actors to create a comprehensive portrayal of their characters. Motivation provides the underlying reasons for a character's behavior, while objectives outline the specific goals they are pursuing at any moment. Together, these elements ensure that every action taken on stage is purposeful and contributes to the character's development and the story's progression.
Consider an aspiring author who wants to get their book published. Their motivation might be a desire for recognition and fear of failure, while their objective could be to secure a meeting with a publisher. This clarity not only guides their actionsβlike preparing a pitch and networkingβbut also makes their journey more engaging to others, paralleling how actors must intertwine motivation and objectives to compellingly inhabit their roles.
Learn essential terms and foundational ideas that form the basis of the topic.
Key Concepts
Motivation: The driving force behind a character's actions.
Objectives: The specific goals characters aim to achieve in a scene.
Obstacles: Challenges that characters face preventing them from achieving their objectives.
Character Conflict: The interplay of motivations and objectives that leads to tension and drama.
Dramatic Action: The resulting actions from the conflict between characters.
See how the concepts apply in real-world scenarios to understand their practical implications.
In a play, a character might be motivated by a desire for revenge after being wronged, leading them to have the objective of confronting their enemy.
A character motivated by love might have an objective to win over another character's affection, but obstacles such as a previous relationship may complicate this goal.
Use mnemonics, acronyms, or visual cues to help remember key information more easily.
Motivation's the reason we seek to please, / Objectives are goals that come with ease.
Imagine a knight motivated by honor (motivation), / seeking to rescue a princess (objective), but facing a dragon (obstacle). His story unfolds through conflict as he confronts danger.
Use 'MOS : Motivation, Objective, Struggle' to remember the three key elements of dramatic storytelling.
Review key concepts with flashcards.
Review the Definitions for terms.
Term: Motivation
Definition:
The underlying reason, impulse, or desire that compels a character's thoughts, feelings, and actions.
Term: Objective
Definition:
The specific, tangible goal a character is trying to achieve within a particular scene or moment.
Term: Obstacle
Definition:
A barrier that prevents a character from easily achieving their objectives.
Term: Character Conflict
Definition:
A struggle between characters that arises from their differing objectives or motivations.
Term: Dramatic Action
Definition:
The unfolding events in a scene driven by characters' motivations and objectives.