Art-Making Activity: 'Negative Space Study' - 4.8.3.2.2 | Unit 4: Beyond the Obvious – Abstraction, Pattern, and Visual Systems | IB MYP Grade 9 Visual Arts
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4.8.3.2.2 - Art-Making Activity: 'Negative Space Study'

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Interactive Audio Lesson

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Introducing Negative Space

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0:00
Teacher
Teacher

Today, we are going to focus on the concept of negative space in our sculptures. Can anyone tell me what negative space is?

Student 1
Student 1

Is it the empty space around an object?

Teacher
Teacher

Exactly! Negative space refers to the areas around and between the subjects of an artwork. It's crucial because it helps define the overall composition. Think of it this way: without negative space, our sculptures would look very different! We often use the acronym P.O.P. to remember: Positive And Negative are intertwined.

Student 2
Student 2

So, both kinds of spaces are important in making a good sculpture?

Teacher
Teacher

Yes, you've got it! The empty areas can lead to interesting perceptions of lightness and volume. Now, why do you think it's essential to manipulate negative space in our sculptures?

Student 3
Student 3

Maybe to make the sculpture look more dynamic?

Teacher
Teacher

Exactly! Dynamic forms often engage the viewer's eye and can create emotional responses. For instance, taking a step back can reveal how different angles can alter our perception of the sculpture.

Student 4
Student 4

Can you show us examples of artists who do this well?

Teacher
Teacher

Certainly! Artists like Henry Moore and Alexander Calder are famous for their use of negative space. Let’s look into their works in detail after our session!

Materials and Techniques

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0:00
Teacher
Teacher

Let's discuss the materials we will be using for our sculptures today. How important do you think the choice of material is when it comes to exploring negative space?

Student 1
Student 1

It must be pretty important because some materials can be heavier and affect how the spaces look.

Teacher
Teacher

That's a great point! Materials like cardboard and wire can allow us to create lighter structures, making the negative space more pronounced. What materials are you most excited to work with today?

Student 3
Student 3

I think I'll enjoy working with wire because it can be twisted and shaped easily to create open forms.

Teacher
Teacher

Fantastic choice! Remember, the goal is to think creatively about the empty spaces you're creating. As you work, keep asking yourself: 'How does this space impact my sculpture?' Let's brainstorm some techniques that can help us manipulate these materials effectively.

Student 4
Student 4

Are we going to sketch our ideas first?

Teacher
Teacher

Yes, I recommend sketching out your concepts to visualize the positive and negative relationships before starting. This will help you refine your ideas. Let’s take a few moments to start sketching.

Presenting and Critiquing Sculptures

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0:00
Teacher
Teacher

As we wrap up our sculptures, let’s talk about how we can present and critique one another’s work. Why do you think critique is an important part of developing as an artist?

Student 2
Student 2

It helps you see your work from other people's perspectives.

Teacher
Teacher

Exactly! Critique can highlight aspects we might overlook and encourage us to make necessary adjustments. When critiquing, remember to consider both the positive aspects and areas for improvement. Any examples of what you could look for?

Student 3
Student 3

We could look at how effectively the sculpture uses negative space.

Teacher
Teacher

Good observation! Additionally, think about the emotional impact it creates and whether it effectively communicates its intended message. Let’s practice this now: we’ll each present our sculptures in small groups and share our insights.

Introduction & Overview

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Quick Overview

This section guides students in creating abstract sculptures that emphasize negative space as a critical element of composition.

Standard

In this section, students engage in an art-making activity focused on sculpting abstract forms where negative space plays an essential role. The activity encourages the manipulation of empty spaces within their sculptures to explore themes of presence and absence, ultimately expanding their understanding of three-dimensional compositions.

Detailed

Art-Making Activity: 'Negative Space Study'

In this creative exercise, students will explore the concept of negative space within abstract sculpture. Unlike traditional approaches that emphasize solid forms (positive space), this activity invites participants to manipulate empty spaces as integral components of their compositions. By beginning with abstract sketches focusing on positive and negative relationships, students will gain insight into how the interplay between solid and void can communicate various sensations such as volume, weight, lightness, or presence versus absence.

Key Points:

  • Concept of Negative Space: Students learn to regard empty areas surrounding or within a form as significant components that contribute to the artwork's meaning and aesthetic.
  • Materials: Students will be provided with a variety of materials including cardboard, wire, and lightweight objects for their sculptures.
  • Studio Exploration: As students work, they will document their artistic journey and consider how their movement around the finished piece alters perception.
  • Art Historical Context: Students may research renowned sculptors who expertly manipulate positive and negative space, such as Henry Moore or Alexander Calder, to enhance their understanding of this compositional strategy.

Through this activity, students will deepen their appreciation for abstraction in three-dimensional art and learn to communicate complex ideas through their sculptural choices.

Audio Book

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Introduction to Negative Space Study

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Students create an abstract sculpture that prominently features and manipulates negative space (the empty space surrounding and within the form) as an integral part of its composition. They begin with abstract sketches that emphasize positive/negative relationships.

Detailed Explanation

In this activity, students are tasked with creating a sculpture that focuses not just on the solid parts of the artwork (positive space) but also on how the empty areas (negative space) interact with these forms. This means they need to think critically about how space is utilized in their designs. The takeoff begins with them sketching their ideas, ensuring that both the solid and the empty parts of the sculpture have a relationship, which is crucial to the composition's overall impact.

Examples & Analogies

Think of negative space as the 'silence' in music. Just as silence can enhance a melody and creates a rhythm, the empty spaces around a sculpture help to highlight the shape and form of the material. For instance, if you look at a sculpture of a tree, the space between the branches can enhance the look of the tree, making it appear more dynamic and interesting.

Materials for the Sculpture

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Materials chosen should allow for open, structural forms.

Detailed Explanation

The materials selected for this project are crucial in achieving the desired effect of manipulating negative space. Students will use lightweight materials such as cardboard, wire, and plastic, which lend themselves well to creating open structures. The choice of materials will influence how effectively they can convey their artistic vision and how dynamic their sculpture becomes.

Examples & Analogies

Imagine building a model with straws or popsicle sticks. If you use heavy materials, your structure may collapse or become unwieldy. However, using lighter materials allows for flexibility and creativity in designing intricate shapes that play with the surrounding space.

Conceptual Inquiry Connection

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How does the interplay of positive mass and negative void communicate volume, weight, lightness, or a sense of presence/absence in abstract sculpture? How does the viewer's movement around the piece change their perception?

Detailed Explanation

This section encourages students to think deeply about how their sculptures are perceived. When they manipulate both the solid and empty spaces, they can convey different feelings—such as heaviness or lightness. Additionally, as viewers move around the sculpture, their perspective changes, and they may notice different aspects of both the positive and negative spaces. This dynamic interaction enhances the experience of the artwork.

Examples & Analogies

Consider walking around a modern sculpture in a park. As you move, the shapes and voids might change appearance; some parts may look solid and heavy from one angle but appear light and airy from another. This is similar to how viewing a shadow can alter the way we interpret the object’s size and form.

Research and Analyze Abstract Sculptors

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Students research abstract sculptors (e.g., Henry Moore, Barbara Hepworth, Alexander Calder) and analyze how they used positive and negative space to convey meaning or feeling. They sketch multiple views of their own sculpture, highlighting the negative space.

Detailed Explanation

In this part of the activity, students are encouraged to look at the works of renowned abstract sculptors who effectively used negative space in their art. By investigating how these artists achieved balance between solid forms and empty spaces, students can draw inspiration for their own works. Additionally, creating sketches that focus on their sculptures’ negative spaces allows them to visualize the overall design and its impact more effectively.

Examples & Analogies

Think of a famous architect like Frank Lloyd Wright, who designed buildings that harmonize with their surroundings by considering both the structure and the space it occupies. Similarly, just as Wright's designs used space to enhance the experience of the building, students will learn how to balance material and emptiness in their sculptures to enhance their artistic expression.

Definitions & Key Concepts

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Key Concepts

  • Negative Space: The empty space around and within a sculpture that plays a critical role in defining its overall composition.

  • Positive Space: The actual materials or objects that comprise the sculpture, which work in conjunction with negative space.

  • Volume: How the interplay between positive and negative spaces can create the perception of weight, mass, or presence.

  • Composition: The configuration of visual elements in a sculpture that affects the overall aesthetic and emotional response.

Examples & Real-Life Applications

See how the concepts apply in real-world scenarios to understand their practical implications.

Examples

  • An abstract sculpture that utilizes an open space within the structure to create a visual flow and engages the viewer's eye.

  • Henry Moore's sculptures that are renowned for effectively using negative space to create dynamic forms and convey meaning.

Memory Aids

Use mnemonics, acronyms, or visual cues to help remember key information more easily.

🎵 Rhymes Time

  • Negative space is a big embrace, defines the art with an empty trace.

📖 Fascinating Stories

  • Imagine a sculptor creating a piece, they first carve out the air, giving the solid form a sense of ease. Each void tells a story of what is and isn't there.

🧠 Other Memory Gems

  • P.O.P: Positive and Negative, Often Play.

🎯 Super Acronyms

SPACE

  • Sculptures Play with Active and Calming Empty.

Flash Cards

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Glossary of Terms

Review the Definitions for terms.

  • Term: Negative Space

    Definition:

    The empty or open space surrounding an object or form in art, which is as significant as the object itself in creating a composition.

  • Term: Positive Space

    Definition:

    The actual object or subject within a piece of artwork, which occupies physical space.

  • Term: Sculpture

    Definition:

    A three-dimensional work of art created by shaping or combining materials.

  • Term: Composition

    Definition:

    The arrangement of visual elements within an artwork to create a harmonious and effective piece.

  • Term: Volume

    Definition:

    The three-dimensional quality of an object, which encompasses the mass and space it occupies.